Friday, May 8, 2020

Interview: Boone Williams of Tiny Tiny


Sommerset, Kentucky, musician Boone Williams has been playing under the moniker Tiny Tiny since 2013. In December of 2019 he released the Stripes EP, and is set to release a new EP, The Close Up, on Friday, May 22nd. Pre-orders are available as of today.

37: How long have you been playing together?

BW: I have been putting out music under the Tiny Tiny moniker since 2013. It started out as a solo project and over the years has been quite a few different things with quite a few different lineups.

 Right now, and going forward as much as I can tell, it’s a band though. Aaron Todd is playing guitar and Phillip Claunch is on drums and some production, multi-instrument stuff. We’ve all known each other a long time, all from Somerset, and have played together in a bunch of different projects. We all got together and wrote/recorded ‘Stripes’ in the summer of 2019 and started playing shows.


 We started recording ‘The Close-Up’ about 2 weeks before the quarantine started and luckily were able to get enough of the bones of the songs to be able to finish remotely. I have a studio space and we have all used it separately to finish any tracking that we needed. Phil and Aaron both live on the same street as I, literally I can throw a rock and it land in Phil’s yard, but we kept social distance to finish the ep. It was really interesting, we were all sort of ghosts to each other.

37: What is the music scene like in Sommerset?

BW: Somerset has had a little bit of a boom over the last couple years in terms of music scene. Somerset only started selling alcohol about 5 or 6 years ago, that brought bars, venues etc…Before that it was mostly living room and basement shows. It’s a little fractured but there’s a punk presence with some of the younger kids that has been really cool to see pop up. There’s also a lot of roots and americana type stuff.. I think those would be the most visible. Master Musician Festival is here every year and I think it goes a long way to sort of set the taste for what people expect to see at least. We like to think we’re sort of weird but we’ve found that people are generally pretty open to hearing new things.



37: The new EP, The Close Up, differs in your last EP, Stripes, a little somber maybe, not less upbeat in terms of sound, but in lyrical content...

BW: On Stripes I was in this mood the whole time that was really optimistic and maybe over confident even, so I think those songs, lyrically are my honest reactions about my life at the time but they are sort of manic, I guess? I think Stripes is able to laugh about things where The Close-Up isn’t. I feel like The Close-Up is a realization, or the swing back the other way. I think with both we have been interested in ways to have really subtle darkness wrapped in a frenetic energy. Like that feeling in a movie when you start laughing about things you shouldn’t.

37: The song Not A Riddle is asking, not to make things better, but does the listener want to try and make things better. What was the motivation for this song?

BW: I have this thing where I just notice power lines a lot. They are one of the things that doesn’t fade into background for me, not sure why. But I really liked the idea of our identities and thoughts and relationships riding through wires and lines and cords, and on Not a Riddle I was really into painting that with broad strokes. I was thinking about how technology kind of allows you to know what you want about a person and not know what you don’t want know. Sometimes it feels like with dating apps and just the nature of how a lot of relationships start online that there is this unsaid agreement that everyone can take really artistic liberties with who they make themselves out to be….I approach lyrics in general as a collage, so I’m always reacting to them like a listener in a lot of ways.

37: The title track is a laundry list of all the things we will lose in this life, but gives a slight glimmer of hope in a world built on loss; asking the listener to "come back to the light", which could be seen as religious in nature, at least offering some redemption; care to expand on this?

BW: I’m really glad you asked about the title track. I’m influenced by movies probably more than anything else and I have a really clear movie in my head about that song, it’s kind of bizarre.

It’s basically a character study of the sleaziest savior/messiah figure I could think up. Like, is there a way that he could wield his powers for self gain? Like, he’s talking about all these things that you will lose in your life, but don’t worry, baby, I would never leave. And ‘come back to the light’, I am just in love with the imagery of this character being a movie director and he sort of anoints you, or baptizes you in the light of the camera. It’s probably sacrilege but I love thinking about it.

37: What is next for Tiny Tiny?

BW: As for what’s next for us, we have settled in pretty nicely to our ‘recording under quarantine’ process, so at the very least we want to keep writing and putting out new material. We played Social Distance Fest a couple of weeks ago, an online festival organized by the Master Musician Festival people, it was really great and ended up being a really memorable thing to be a part of. It was early days of quarantine and there was a real unknown feeling in the air. Made for a really heightened experience. But like everyone else, we’re really excited for when we can safely get into a room with other people and play again.

Thursday, April 30, 2020

Review: Danzig Sings Elvis



Twice in my life I had been faced with 2 difficult questions from music enthusiasts. The first being "Which album do people generally stop listening to the Misfits?" and other, more difficult question, was "How could one man, Glenn Danzig, be at one time the coolest man alive and at another time be the uncoolest?"

The answer to the first question, for most Misfits fans, would be American Psycho, followed by Famous Monsters (with replacement singer Michale Graves). After all the fighting and lawsuits between Danzig and Jerry Only, Danzig still graced us with reissuing early Misfits recordings that are well worth having. When the lawsuits settled and Only and his brother Doyle were given the legal clearance to release new music under the Misfits moniker, Danzig was replaced by singer Michale Graves. Die hard fans would not recognize American Psycho and Famous Monsters as true Misfits albums. It's a hard pill to swallow; Danzig was the heart and soul of the Misfits, and yet Danzig's later offerings lacked the magic that was soaked into the bones of the Misfits.



Sure, the first two Danzig albums have stood the test of time, but later albums could be labeled "For Fans Only." And, as it were, history has also largely changed its mind about American Psycho and Famous Monsters. 'Saturday Night' from Famous Monsters and 'Dig Up Her Bones' from American Psycho are considered by some as Misfits classics.



Could history change its mind about Danzig, after decades public tantrums and an infamous video of Danzig being knocked out cold after schoolyard squabble? On April 24th Danzig released Danzig Sings Elvis. It's no secret Danzig has been a lifelong Elvis fan, garnering him the label "Evil Elvis" and this project is probably way overdue, but might have grabbed more media attention if it came out in the Danzig heyday rather than 30 years after he lost relevance.  It probably would have sounded different too. Danzig's voice is worn away some, and it shows on this album (which was recorded in 2016). No longer could his voice be heard as a mirror of the King himself, as evident on the Elvis-esque Misfits song 'American Nightmare.'



The 14 track, sparsely arranged, album is mostly cheeky, with a humorous tone. 'Baby Let's Play House' is straight up corny. But there is something to be said about Danzig allowing himself to be seen in a more playful light. And some songs on the album are solid and true representations, such as 'Love Me' and 'It Is So Strange.' 'Always On my Mind' 'Pocket Full Of Rainbows' and 'Fever' are surprisingly delightful, and risk bringing new fans to the Danzig catalog.



It is probably safe to say Danzig Sings Elvis should be labeled 'For Fans Only' but for the chance to see Danzig not take himself so seriously, and possibly having fun for the first time in a long time, this 'For Fans Only' album might just help bring back some fans that stopped listening a long time ago.

Friday, April 17, 2020

Quarantine Stay-Creative challenge: Record A Misfits Cover Song For Upcoming Compilation



In 1994 the Analog Distillery label released a compilation of Louisville artists covering the Misfits, In 2007, for the 13th anniversary, Louisville Is For Lovers released a follow up, Louisville Babylon II, and now, as it is at the 13th anniversary of Babylon II, Louisville Is For Lovers has issued a quarantine Stay-Creative challenge asking Louisville artists to record a Misfits cover at home for a third Louisville Babylon compilation that will release later this year. Details here.

Friday, March 27, 2020

Deadline to Submit to LFPL Artist In Residence March 31st


The Louisville Free Public Library has plans to continue the Artist In Residence Program, known as Collider, from July through December. Louisville based artists working in any field are welcome to apply here. Past artist in residence participants have included ballet dancers, glass artists, paper artists, hip hop artists, and photographers. 

Monday, March 2, 2020

Review: Drift City 'Mercurial Mirrors' LP

Hot off the heels of their very impressive contribution, Make Believe, from the 2020 Louisville Is For Lovers Valentine's compilation 'Dreaming In Love City' comes the first full length LP by the band Drift City, headed by the elusive J Rivers, titled Mercurial Mirrors.


The solid 8 song LP begins like a fever dream, halfway etherial, halfway ephemeral, as if saddling the ghost of Sparklehorse.

The album's first single, Sailor, sounds as if the ghostly dreampop of David Lynch collided with Johnny Jewel's candy coated synth-pop to create a smoldering Chromatics album at the dark end of the street. J Rivers vocal work evokes a feeling of beautiful agony that resonates throughout the entire LP.


Side B starts with the hopeful, gospel anchored Show Me The Way, before drifting back into twilight with Flock of Birds featuring Louisville legend Chris Rodehoffer's haunting peddle steel, but returns to a more hopeful feeling with So Memory. Unlike side A, which is masterful in its tragic beauty, side B shows the other hand, an uplifting and hopeful -if not a little more country- side to Drift City, like Hope Sandoval wrapped in southern charm.

In all, Mercurial Mirrors is a must for anyone who has kept up with the work of Drift City, or anyone who enjoys their dreampop a little darker and dipped in Kentucky roots.

Sunday, February 9, 2020

2/14 FREE Valentine's Day Events in Louisville

Valentine's Day at the Louisville Visitor Center Stop in to 301 South Fourth St from 10 am-5pm for free Schimpff’s (Indiana candy makers) Red Hot hearts and flowers. More Info Here.

Louisville Is For Lovers Live Lunch with The Excuses and Rebecca Williams. Noon. WFPK Studios. Lunch provided by New Wave Burritos. More Info Here.

PAL-ENTINE’S DAY at Nachbar with The Winger Brothers, Underberglers, and DJ McKinley Moore.  Bring a box of children's Valentines to swap. 8pm. More Info Here.


Tuesday, January 21, 2020

Review: Batwizard 'Voidfiend' EP



It can be said that all things music comes back around again. Genres like punk and grunge are continually resurrected with a new twist added each time. The Misfits turned campy 50s horror rock into a respectable punk genre that has endured for decades.

In recent years both doom and thrash metal have made leaps outside of the diehard metal circles that hung in from their heyday in the 1980s to again claim their seat in popular culture. With Agent Orange on a nonstop years long tour, and Sleep awakening to commercial success. Body Count never stopped, and is set to release a new album, Carnivore, in March. And then there new players on the scene like Louisville's Total Void and Batwizard.




 Batwizard snatches the most mineable bits of California thrash and doom into their new 4 song EP, Voidfiend, released last week. In 2018 Batwizard released Medustrich in which the 8 songs largely alternated between doom and thrash, while Voidfiend blends the best of both at once, mixing the mystics of Iron Maiden with the earthly anguish of Suicidal Tendencies and more than a dash of good old fashion doom.

BATWIZARD

Saturday, January 4, 2020

Our Most Popular Posts of the Decade: 2010-2019


It's hard to imagine that 37FLOOD got its start 13 Years ago, on March 7th (37 born on 3/7) 2007,  all these years later we have the distinction of being Louisville's longest running Music & Entertainment blog, with over half a million individual readers since our first post!

Here are some of our most popular posts since 2010:



J Perry's Best of The Decade List: We often ask musicians to share their favorite music and entertainment lists. J Perry of the Deloreans gave us his favorites list from 2000-2010, which is our Most read 'Favorites' list of all time!



The most read editorial of the last decade was John King's expose of the city government covering up bad publicity of Gill Holland's gentrification attempts of Portland while running for city councilmen (which he lost). The article is called How To Deal With Louisville's Refugees of Economicide.  It remains the most read editorial in 37FLOOD history!



Our most read album review of the last decade was of Scott H. Biram's Bad Testament LP (and we adored it) that was released in February of 2017. Our 2nd most popular album review was of Jack White's Boarding House Reach (which we were less favorable).


Our most read interview of the decade was from April 2017 with Craig Bell, founding member of influential classic punk bands Rocket From The Tombs, X_____X, and Mirrors.


Our most read event review of the last decade was a review of Forecastle 2018 called It's the End Of the World, about the dangerous atmosphere in Party Cove, and how our reporter and photographer were threatened by event goers. Despite having the record for the longest online news source to cover the annual event, we have not been invited back by Forecastle management.

Our second most read  event review was of Forecastle 2010 written by 37FLOOD writer Dylan Greenwood. Dylan's review also holds the distinction of having the most viewed photo on 37FLOOD:
This photo of Grace Potter playing Forecastle 2010 is the most viewed photo on 37FLOOD, which brings us to the most used Google search term (besides 37FLOOD) sending traffic to our site: Grace Potter legs.

Sunday, December 29, 2019

Favorites List of 2019


    At the end of every year when we compile our Year End Favorites we remark on how great the music was that year, and surely think it can't be beat, and then the next year's list comes in and and we, again, are amazed.

   What was apparent for 2019 that is rare, is that great albums were released all year long, not stacked around key sales dates like Black Friday/RSD days. Kelly Finnigan, Sharon Van Etten, and Shana Cleveland all had early release dates and are all solid records by solo artists; and same for our #1 full length album pick, Orville Peck's Pony LP, released in March and still in heavy rotation here at the 37FLOOD HQ. Not surprising is the amount of high quality local albums released this year, including Hawks, DJ DS, Planetary Overdrive, Twin Limb, Bonnie 'prince' Billy, Dr. Dundiff, and a lot more.

   It continued to be an amazing (and puzzling) year for physical media. Imaginative vinyl packages such as Angel Olsen's All Mirrors on double clear vinyl with poster and booklet for the steal of a price at $24 and the posthumous Leonard Cohen Thanks For The Dance, which is gorgeous, but follows the major label president for charging way to much for no damn reason; $30 for one black vinyl LP with no booklet or even download card. The Lightning Dust Spectre LP on orange moon marble, and Mattiel's Satis Factory on cautionary yellow were very clever with no additional cost at $22 each. Orville Peck's Pony was originally released on splatter yellow vinyl and red cassette at a steal of $17 and $8 respectively but sold out immediately; The underappreciated Boduf Songs and Kelly Finnigan LPs both available on archival quality vinyl at no upcharge, and there were some interesting bundles as well; Bonnie 'prince' Billy's I Made A Place bundle (at the hefty $50) came with a 7" single not available individually and in a limited edition tote.

Some great 2019 albums failed to get vinyl releases, most notably the Twin Limb and Prayer Line albums, although the latter is available on blood red cassette. Whatever your media preference, 2019 stacked up nicely on creativity, quality, and diversity of genre.

Angel Olsen - All Mirrors
Great Value: 2 Clear LPs + Poster= $24
Lightning Dust - Spectre
Good Value: 1 Marble LP = $22
Leonard Cohen 'Thanks For The Dance'
Least Value: 1 Black LP = $30

Full Length Albums:
20. Karen & the Sorrows - Guaranteed Broken Heart
19. Frankie Cosmos - Close it Quietly
18. Shana Cleveland - Night of the Worm Moon
17. Boduf Songs - Abyss Versions
16. Fontaines D.C. - Dogrel
15. DJDS - Vibes
14. Prayer Line - Drink The Blood
13. Sharon Van Etten - Remind Me Tomorrow
12. White Reaper - You Deserve Love
11. Bonnie 'prince' Billy - I Made A Place
10. The Hu - The Gereg
9. Dr. Dundiff - The Distance
8. Twin Limb - In The Warm Light, As A Ghost
7. Leonard Cohen - Thanks For The Dance
6.  Angel olsen - All Mirrors
5. Hawks - Truth Will Out
4. Lightning Dust - Spectre
3. Kelly Finnigan - The Tales People Tell
2. Mattiel - Satis Factory
1. Orville Peck - Pony (37FLOOD approved)

Orville Peck 'Pony' Paper Cut Out Fan Art



 Cover Albums, Compilations, Soundtracks, & Reissues:


10. V/A - Louisville Is For Lovers 2007
9. Rob Halford - Celestial
8. V/A - Louisville Is For Lovers 2010
7. Big Trouble Little China OST
6. The Pop Group: Y (Definitive Edition)
5. V/A - Louisville Is For Lovers 2009
4. V/A - River City Rumble Vol. 2
3. V/A - Louisville Is For Lovers 2006
2. Buffy The Vampire Slayer: Once More With Feeling OST
1. Louisville Is For Lovers 2019 - American Promenade (37FLOOD approved)


EPs & Singles:
10. Body Count - Carnivore
9. Black Mountain - What's Your Conquest?
8. Rebecca Rego & the Trainmen - Fear, Love, and Greed
7. Tristen - Dream Within A Dream
6. Planetary Overdrive - Manual Override
5. Dom B - Dark Heart
4. Twin Limb - Water
3. Lala Lala & WHY? - Siren 042
2.  Bonnie 'prince' Billy - At the Back Of the Pit
1. DavilĂ  666 - Huesos Viejos (37FLOOD approved)




Louisville Shows:

15. Rock N Roll $20 Art Show w/Hawks
14. The Pleasure Boys & Sour Milk Sea Allstar Band at Kaiju
13. Hawks, Los Dolores, & The Captain The Ship at Zanzabar
12. Juneteenth at Butchertown Social
11. 2019 Louder Than Life
10. Adia Victoria at Waterfront Wednesday
9. Planetary Overdrive and Proles at Kaiju
8. Wingerfest 

7. Louisville Is For Lovers 2019 Live Lunch with Hawks & Planetary Overdrive
6. Louisville Is For Lovers Valentine's Showcase
5. The Glasspack, Call Me Bronco, Sound Company, Wiirmz at Headliners
4. Clownvis at Trixies Tiger Room
3. Mono, Emma Ruth Rundle, & Dane Waters at Headliners
2. 2019 Bourbon And Beyond
1. Cowboy Kev at Butchertown Social