Showing posts with label Tony Esposito. Show all posts
Showing posts with label Tony Esposito. Show all posts

Wednesday, April 5, 2017

Review: White Reaper "World's Best American Band" LP

White Reaper (credit: Jesse De Florio)
On April 7th, 2017, Louisville Garage Punk band White Reaper will release their 3rd LP, The World's Best American Band. They have 2 previous albums, 2014's very solid 6 track self titled EP, and 2015's White Reaper Does It Again that gained national attention for it's single Sheila.

Early reviews of White Reaper's newest effort claim a new direction for the band, abandoning their mod-punk sound for a more "power-pop" sound (both Consequence of Sound and Stereogum used the term in their reviews). While the band has expanded their sound from 2 minute garage punk gems drenched in distortion and keyboard hooks to 4 minute rompers with the inclusion of guitar solos, the core sound remains. 


The first single, Judy French, was released on January 26th on Polyvinyl, holds the classic Reaper sound, and is a high school crush-themed track that plays like a sister to Sheila, if she was enrolled at the school from Beverly Hills 90210.

Tracks like Little Silver Cross and The Stack find that sweet spot between early 70s punk rock and late 70s power pop such as Cheap Trick's perfectly weighted In Color LP placed in between 1977's punk influenced self titled album and 1978's power-ballad drenched Heaven Tonight LP.


The entire album is a soundtrack for the tragic teen experience that at once views the world as endless with possibilities and also painfully restrictive. Filled with cute girls with the best kind of secrets and days wasted on TV and daydreams of fame, The World's Best American band may be best suited for fans already acquainted with the band rather than a break-out move for world domination, but is a solid effort for a band deserving of their self imposed title, but has long struggled for acceptance in a world currently lacking an appreciation for straight up Rock N' Roll. Supporting Alvvays during a 2015 world tour, White Reaper was asked to leave the tour, sighting their wild and loud stage shows not being a good fit with the subdued reverb drenched electrona-pop headliner.

On the other hand, The World's Best American Band just might have enough of that sorely missed  classic rock n' roll braggadocio to grab the world's attention and remind us all why we fell in love with rock n' roll in the first place.  As frontman Tony Esposito claimed in a press release, “Just like Muhammad Ali was the greatest, you gotta say it out loud for people to believe it.”


Louisville's White Reaper will celebrate the release of their new album The World's Best American Band (out 4/7 on Polyvinyl Records) on April 8th at Zanzabar.

Thursday, March 30, 2017

Interview: Tony Esposito of White Reaper

Tony Esposito is the front man of White Reaper, a Louisville based rock band that has a new album, The World's Best American Band, coming out on April 7th. They have 2 previous albums, 2014's Self titled, and 2015's White Reaper Does It Again.  
Tony Esposito (center). Still shot from the White Reaper video COOL. 


37)   The new album, The World's Best American Band, has been touted as a markedly different sound than 2015’s garage punk hitter White Reaper Does It Again; Stereogum even describing it as a "power-pop radio-blaster.” Do you recognize a sonic difference in the new album as compared to your last effort, or 2014’s self-titled, and was this on purpose?

TE) The biggest difference is probably the intricacies in the melodies of each individual instrument, like, there's a lot more going on this time around. Where as, on the last record, guitar and bass were kinda married for the most part, this time they kinda dance around each other. 

37)   Personally I do not hear a wildly different sound as compared to your first 2 albums. The power pop angle is there but there are still the heavy slap-back vocals and catchy guitar licks that we have come to expect and love from the world’s best American band. 
The first single, Judy French, could practically be Sheila’s sister in terms of love drenched pop-punk gold. I think the difference might be something like the difference between Rocket From the Tombs and The Dead Boys. How do you feel about the forensic cataloging of your sound by the media and what were your influences while writing the new album?

TE) For whatever reason people love to use words like "garage" or "punk". I feel like people keep stacking those kinds of words on top of each other to try to describe a certain band or even a song, and it's just too much most of the time. We've always seen ourselves as a rock band, some might say we're a "garage rock" or "power pop" band, but we don't think too hard about it. 

As far as what we were listening to when we made the record, it was all stuff we were listening to on tour. A lot of classic rock radio kind of stuff, we listened to a ton of ozzy osbourne, Boston, Joe Walsh, things like that. Some of us didn't have any way to stream music back then, so a lot of times we would just try to find the best radio station wherever we were at the time. 

37)   There are definitely  ‘power-pop’ inspired tracks including Tell Me, and Crystal Pistol, that are reminiscent of Cheap Trick’s classic 1977 In Color. Some would say In Color is a natural progression of the punk scene evolving into power pop and pop rock, much like your earlier efforts being more garage punk slowly moving into a power punk sound.  Where do you see White Reaper going from here musically and what is on the horizon?


TE) Well, it's hard to say where we'll be or how we'll feel or what we'll like when we make the next record. Now that we've added another guitar to the band there's a lot of things we can try that we haven't thought about yet. 

37)   Some might see the title of the new album, The World's Best American Band, as an audacious claim, but others might completely agree while sighting a lack of straight-up American rock on the record shelves these days. The revamp of Torch, soul, and R&B genres causing Rock N’ roll to take a back seat at the moment. Do you worry that the climate might not be right for a rock album, or do you feel Rock N’ Roll is alive and well in the U.S.A?


TE) We're not worried. The people that need to hear this record will hear it. We're gonna continue to make rock n roll records no matter the weather, rain or shine. 

37)   What bands do you feel are keeping Rock N’ Roll alive, and where do you see American music going?


TE) Our buddies in Twin Peaks, NE-HI, Together Pangea, No Parents, bands like that who go and tour and play music everywhere they can. There's a lot of young kids too, in Louisville and in Nashville and all kinds of other places who are gonna start great bands and tour all over the place. Now that everybody can make any kind of music they want to, the massive amount of American music will continue to grow in a diverse and unpredictable way. 

Louisville's White Reaper will celebrate the release of their new album The World's Best American Band (out 4/7 on Polyvinyl Records)  on April 8th at Zanzabar.